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A

abstract setting
ab-stract set-ting
| ˈæbstrækt ˈsetɪŋ |
noun - a stage setting that is stylized rather than photorealistic or representational; that is, one that does not attempt to present a realistic stage picture.

accent lighting
ac-cent light-ing
| ˈæksent ˈlaɪtɪŋ |
noun - Lighting that stresses certain stage areas. It may be done with intensity and/or color. An "accent light" is one that provides such illumination.

acoustic
a-cou-stic
| əˈkuːstɪk |
noun - The behavior of sound and its study.

act
act
| ˈækt |
verb; noun - to perform a dramatic role; a section of a production, often acts are separated by intermission, also called an act break

acting area
ac-ting a-re-a
| ˈæktɪŋ ˈeəriə |
noun - the area within the performance space within which the actor may move in full view of the audience; a specific portion of such an area actually used for acting during all of part of a performance

acting edition
ac-ting ed-i-tion
| ˈæktɪŋ ɪˈdɪʃn̩ |
noun - The published text of a play that has been approved by the author for public performance.

action
ac-tion
| ˈækʃn̩ |
noun; verb - the physical movement of an actor on the stage; the movement or development of the plot of a dramatic work, or an incident in that movement.

actor
ac-tor
| ˈæktə |
noun - originally a male performer in a play, with "actress" used for women. Today, "actor" is increasingly used for both male, female, and nonbinary performers.

aisle
ais-le
| aɪl |
noun - a passage through seating areas.

alternate
al-ter-nate
| ɔːlˈtɜːnət |
noun - actors who alternate in a specific role; an understudy scheduled to perform a set number of performances each week, typically matinees.

apron
ap-ron
| ˈeɪprən |
noun - the area of the stage, if any, which protrudes in front of the proscenium arch

arena
a-re-na
| əˈriːnə |
noun - Stage configuration in which the audience are seated on two or more sides of the acting area.

audition
au-di-tion
| aˈdɪʃn̩ |
noun - A trial performance to appraise an entertainer's merits

auditorium
au-di-to-ri-um
| ˌɒdəˈtɔːriəm |
noun - the area from which the audience watches a production

B

back
back
| ˈbæk |
verb - to invest in a prospective production.

back of house
back-of-house
| bæk əv ˈhaʊs |
noun - the parts of the theatre behind the proscenium, or behind the stage setting

back wall
back-wall
| bæk wɔːl |
noun - the rear wall of the stage or stage setting or the auditorium.

backdrop
back-drop
| ˈbækdrɒp |
noun - a large curtain, usually painted to represent the sky, a landscape, or some other background, dropped upstage to form the back of a wing set and to mask the backstage space.

background
back-ground
| ˈbækɡraʊnd |
noun - the setting or scenic display before which actors perform; in a script, previous events, environment; background music.

backing light
back-ing light
| ˈbækɪŋ laɪt |
noun - a low-wattage light, used to give diffused illumination to the space beyond openings such as doors, and placed behind, or less often in front of a backing

backlighting
back-ligh-ting
| ˌbækˈlaɪtɪŋ |
noun - the illumination of a scene from behind the actors, usually from the back of the stage.

backstage
back-stage
ˈbak-ˌstāj
noun - of, relating to, or occurring in the area behind the stage and especially in the dressing rooms

balcony
bal-co-ny
| ˈbælkəni |
noun - a seating area above the orchestra section of the auditorium. Sometimes a part of this area, particularly in front, is the location for equipment, hence the term "balcony lighting"

ballad
ba-llad
| ˈbæləd |
noun - a slow, sentimental, or romantic song.

black box
black-box
| blæk bɒks |
noun - an unadorned performance space, typically a large room with four walls and no assigned seating or playing areas. Walls are typically painted black, hence the name. The black box is popular because it can be configured in many different ways, with actors on the floor, or on a platform; the audience can also be seated on the floor or on platforms.

blackout
black-out
| ˈblæˌkɑːwt |
noun - a period when all stage lighting is turned off

blackout
black-out
| ˈblækaʊt |
noun; verb - the complete absence of stage lighting; the act of turning off or fading out stage lighting.

blocking
bloc-king
| ˈblɑːkɪŋ |
noun - the principal positions and movements for the performers of a production

box office
box of-fice
| bɒks ɒfɪs |
noun - an office (as in a theater) where tickets of admission are acquired

break a leg
break-a-leg
| ˈbreɪk ə leɡ |
noun - a superstitious and widely accepted alternative to "Good Luck" (which is considered bad luck in the theatre)

break character
break cha-rac-ter
| ˈbreɪk ˈkærəktə |
verb - in acting, saying or doing something that is not in keeping with the character one is portraying, most often this is accidental, as when an actor forgets a line or bit of business, or when distracted by an occurrence in the audience or offstage

Broadway
broad-way
| ˈbrɔːdweɪ |
noun - the principal avenue running through the theatre district of New York City near Times Square, and thus the district, and collectively the theatres on or near this avenue; by extension, the commercial theatre of New York.

button
but-ton
| ˈbʌtn̩ |
noun - in staging musicals, a final stage picture or song ending that brings a satisfying conclusion to a musical number.

C

cabaret
ca-ba-ret
| ˈkæbəreɪ |
noun - entertainment held in a nightclub or restaurant while the audience eats or drinks at tables.

call
call
| kɔːl |
noun; verb - specified time of a working session, such as a rehearsal or a performance; stage manager's announcement to summon actors to the stage; to announce cues to a show's technical staff during a performance

cameo
ca-me-o
| ˈkæmɪəʊ |
noun - a minor role with particularly attractive acting possibilities.

capacity
ca-pa-ci-ty
| kəˈpæsɪti |
noun - The total number of seats available for the audience, as in seating capacity.

cast
cast
| kɑːst |
noun - the actors taking part in a play, film, or other production.

cast list
cast-list
| kɑ:st lɪst |
noun - a list of actors with their roles.

casting agent
ca-sting a-gent
| ˈkɑːstɪŋ ˈeɪdʒənt |
noun - a person who engages to find actors for a production.

casting director
ca-sting di-rec-tor
| ˈkɑːstɪŋ dɪˈrektə |
noun - the head of casting; casting agent in charge of subordinate casting personnel.

choreographer
cho-re-o-gra-pher
| ˌkɒrɪˈɒɡrəfə |
noun - one who designs (and often directs) the dances and stage movement in a musical production

choreography
cho-re-og-ra-phy
| ˌkɔːriˈɑːɡrəfi |
noun - the composition and arrangement of dances

chorus
cho-rus
| ˈkɔːrəs |
noun - a group of singers and/or dancers performing as a unit; group singing or dancing; a song or part of a song to be sung by more than on person; a group or even a single actor who provides commentary on the action of a play, as in a Greek tragedy; a part of a song that is repeated after each verse, typically by more than one singer

close
close
| kləʊz |
verb - to conclude or end a production; to perform in the last number on a program

company
com-pa-ny
| ˈkʌmpəni |
noun - the cast, crew and other staff associated with a show; a presenting theatre organization; a group of actors appearing together in one or more dramatic performances

conductor
con-duc-tor
| kənˈdʌktə |
noun - the director of an orchestra. Also known in the theatre as the musical director.

costume designer
cos-tume de-sign-er
| ˈkɒstjuːm dɪˈzaɪnə |
noun - member of the creative team for a show responsible for the clothes worn by the actors throughout the performance.

critic
cri-tic
| ˈkrɪtɪk |
noun - journalist who writes reviews for theatre productions.

cue
cue
| kjuː |
noun; verb - the last words of one actor's spoken dialogue, which the next actor to speak needs as a signal to begin; the spoken or written command given to technical staff to carry out a particular operation during a performance.

curtain call
cur-tain call
| kɜ:tn kɔːl |
noun - the appearance of the actors at the end of a performance, to accept the applause of the audience.

D

dark
dark
| dɑːk |
adjective - a theatre that is closed, or with no performances scheduled

debut
de-but
| ˈdeɪbjuː |
noun; verb - an actor's first appearance, whether at the beginning of his/her career, or in a new theatre; to make one's first appearance

decibel
de-ci-bel
| ˈdesɪbel |
noun - relative measurement for the volume of sound; also used to measure the difference between two voltages, or two currents.

deck
deck
| dek |
noun - the stage floor

delivery
de-liv-er-y
| dɪˈlɪvəri |
noun - the manner in which an actor chooses to present their lines.

department
de-part-ment
| dɪˈpɑːtmənt |
noun - one of the principal divisions of the stage staff, headed by a company official--such as wardrobe, scenery, lighting. Thus, department head.

development
de-vel-op-ment
| dɪˈveləpmənt |
noun; verb - in dramatic construction, the events after the exposition that complicates the plot; a logical series in cause and effect; In characterization, a change and expansion in character traits within a dramatic piece; the process of crafting a new work over a period of time.

dialogue
di-a-log
| ˈdaɪəlɒɡ |
noun - lines in a stage entertainment or dramatic work, usually those in which at least two persons take part

diffuse
dif-fuse
| dɪˈfjuːz |
verb - to spread light softly, often by use of a diffusing medium.

dim
dim
| dɪm |
verb - to decrease the illumination on stage or in the auditorium.

downstage
down·stage
| ˈdaʊnˌstedʒ |
adverb - the area toward or at the front of a theatrical stage

drama
dra-ma
| ˈdrɑːmə |
noun - a representation on a stage by actors before an audience; a piece of writing, particularly one of marked emotional intensity

dramatist
dra-ma-tist
| ˈdræmətɪst |
noun - a playwright, composer or lyrisist who takes an existing story and transforms it into a play or musical.

dramaturg
dra-ma-turg
| ˈdrɑːmə turg|
noun - a literary editor on the staff of a theater who consults with authors and edits texts

dress circle
dress cir-cle
| ˈdres ˈsɜːkl̩ |
noun - In UK theatre parlance, the first or lowest curved tier of seats above the main floor in a theater or opera house. Also known as the mezzanine.

dress rehearsal
dress re-hear-sal
| ˈdres rəˈhɝːsl̩ |
noun - the rehearsal, typically held the week performances are to begin, during which all costumes and props are used

dresser
dres-ser
| ˈdresə |
noun - a person who helps actors with costume care and costume changes during the performance

dressing room
dres-sing room
| ˈdresɪŋ ruːm |
noun - a room backstage where actors can dress and put on makeup

drop
drop
| drɒp |
noun - a piece of scenic canvas, painted or plain, that is flown or fixed to hang in a vertical position

E

echo
e-cho
| ˈekəʊ |
noun; verb - a repeated sound received late enough to be heard as distinct from the source.

educational theatre
ed-u-ca-tion-al th-ea-tre
| ˌedʒʊˈkeɪʃn̩əl ˈθɪətə |
noun - an amateur theatre maintained by an K-12 educational institution for the entertainment and cultural profit of the student body, and for the training of students in dramatics. 'Academic theatre' is used for college-level theatre.

emcee
em-cee
| emˈsiː |
noun - Abbreviated term for Master of Ceremonies (M.C.).

encore
en-core
| ˈɒŋkɔː |
noun; verb - a call by an audience for the reappearance of performers in order to repeat a portion of a musical or dance number; an additional performance following the conclusion of a show

engagement
en-gage-ment
| ɪnˈɡeɪdʒmənt |
noun - an actor's period of employment in a part; in arrangement for a company to play in a theatre for a specified period of time

ensemble
en-sem-ble
| ɒnˈsɒmbl̩ |
noun - a cast of characters, except for the principals; the grouping of the whole stage picture, involving actors and set; the chorus in a musical, sometimes including soloists; said of acting or a cast in which group interaction and support is more important than individual performances.

enter
en-ter
| ˈentə |
verb - to come onstage; a playwright's instruction in stage directions.

entrance
en-trance
| ɪnˈtrɑːns |
noun; verb - a door or other access to the stage, for actors; the act of walking onto the stage in view of the audience

Equity
e-qui-ty
| ˈekwɪti |
noun - Actor's Equity Association, founded in 1913, is the labor union representing actors and stage managers in the legitimate theatre in the United States

exit
ex-it
| ˈeɡzət |
verb; noun - a person, or persons, leaving the stage; the point in the script where a person, or persons, leave the stage area

exposition
ex-po-si-tion
| ˌekspəˈzɪʃn̩ |
noun - an explanation, normally in the dialogue, of events preceding the beginning of a dramatic piece or taking place offstage, and which the audience needs to know

F

fade
fade
| feɪd |
verb - An increase, diminishment or change in levels of lighting or sound.

farce
farce
| fɑːs |
noun - a broadly comic dramatic work based on ludicrously improbable events, unsubtle in idea or characterization, typically fast and funny, with a great deal of action.

fee
fee
| fiː |
noun - a royalty fee is charged per performance, with the amount depending on whether the producing company is professional or amateur.

fight director
fight-di-rec-tor
| faɪt dɪˈrektə |
noun - a person responsible for planning, choreographing and overseeing staged combat in a film, play or other performance. Also known as a fight choreographer.

finale
fi-na-le
| fəˈnæli |
noun - the final scene of a production

follow spot
fo-llow spot
| ˈfɒloʊ ˈspɑːt |
noun - a luminaire used to follow actors as they move around the stage

footlights
foot-lights
| ˈfʊˌtlaɪts |
noun - a row of lights set at floor level at the front of a stage, used to provide a part of the general illumination and to soften the heavy shadows produced by overhead lighting.

foreshadow
fore-sha-dow
| fɔːˈʃædəʊ |
verb - to hint, in dialogue or by other means, that some later dramatic action will occur

fourth wall
fourth-wall
| ˈfɔːrθ ˈwɒl |
noun - an imaginary wall between the cast and audience which completes the area in which a piece is set

front of house
front-of-house
| frʌnt əv ˈhaʊs |
noun - Every part of the theatre in front of the proscenium arch. Includes foyer areas open to the general public

G

gesture
ges-ture
| ˈdʒestʃə |
noun; verb - in acting, a movement of the arm or hand as a means of dramatic expression.

ghostlight
ghost-light
| ghostlight |
noun - a light left burning overnight on stage for the safety of those navigating a dark theatre; also to keep friendly spirits illuminated and unfriendly spirits at bay; also believed to keep the theatrical muse in a "dark" theatre

grand finale
grand fi-na-le
| ˈgrænd fɪˈnɑːli |
noun - a finale on a grand spectacular scale, in which the principals and ensemble participate

greasepaint
grease-paint
| ˈɡriːspeɪnt |
noun - grease-based makeup applied to the face and body.

grid
grid
| ɡrɪd |
noun - the support structure close to the top of the fly tower on which the pulleys of the flying system are supported. Constructed from metal or wooden beams; arrangement of scaffolding from which lamps are hung in a performance space with no flying facilities.

H

half
half
| hɑːf |
noun - Call given to the actors half an hour before they will be called to the stage for the beginning of a performance.

histrionic
his-tri-o-nic
| ˌhɪstrɪˈɒnɪk |
adjective; noun - of or pertaining to acting or actors, used more frequently to mean over-emotional acting

house
house
| ˈhaʊs |
noun - a term used to reference the auditorium, as well as its capacity for a given performance

house left
house-left
| haʊz ˈleft |
noun - the left part of an auditorium from the viewpoint of one who faces the stage

house lights
house-lights
| haʊz laɪts |
noun - the auditorium lighting which is commonly faded out when the performance starts

house manager
house ma-na-ger
| haʊz ˈmænədʒər |
noun - an individual that oversees front-of-house operations at a theatre; persons responsible for the day-to-day operations of the venue, from prepping the house to overseeing the front-of-house staff

house right
house-right
| haʊz ˈraɪt |
noun - the right part of an auditorium from the viewpoint of one who faces the stage

hydraulic
hy-drau-lic
| haɪˈdrɔːlɪk |
noun; adjective - system of controlling machinery or moving scenery using oil or water under pressure to move a piston or "ram". Used in many large-scale shows to automate scene changes.

I

IATSE / I.A.T.S.E.

noun - International Alliance of Theatrical Stage Employees; Stage employees union.

impresario
im-pre-sar-i-o
| ˌɪmprɪˈsɑːrɪəʊ |
noun - a producer, especially of musical entertainments

improvisation
im-prov-i-sa-tion
| ˌɪmprəvaɪˈzeɪʃn̩ |
noun - a performance crafted entirely in the moment, typically involving scenes whose elements are informed by suggestions from the audience

improvise
im-pro-vise
| ˈɪmprəvaɪz |
verb - to improvise is to invent lines or business not in a script; to ad-lib

inflection
in-flec-tion
| ɪnˈflekʃn̩ |
noun - the variation in the pitch of an actor's voice as he reveals emotion

ingenue
in-gen-ue
| ˌɪnˈdʒenjuː |
noun - the role of a sweet, naïve young woman; also an actress who plays young women's roles

intermission
in-ter-mis-sion
| ˌɪntəˈmɪʃn̩ |
noun - an break between parts of a play, movie, or concert. Known in the UK as the 'interval'.

interpolation
in-ter-po-la-tion
| ɪnˌtɜːpəˈleɪʃn̩ |
noun - Dialogue, song, or stage business inserted into a script by a performer or director. Interpolation is illegal in copyrighted works without the permission of the author(s) or their representative (agent)

J

jackknife
jack-knife
| dʒæknaɪf |
noun - a stage used for rapid scene-shifting, consisting of a platform or two on casters, pivoted at one corner to swing off- and onstage

Jacobean Drama
Ja-co-be-an Dra-ma
| ˌdʒækəˈbɪən ˈdrɑːmə |
noun - The English drama of the reign of James I (1603-1625), sometimes extended to 1642.

juvenile
ju-ven-ile
| ˈdʒuːvənaɪl |
noun - the role of a young man; also an actor who plays such a role. The female equivalent is "ingénue"

K

key light
key light
| kiː laɪt |
noun - The dominant light source/direction in a lighting state.

kill
kill
| kɪl |
verb - to switch off (a light/sound effect); to strike/remove (a prop).

L

lead
lead
| liːd |
noun - a principal role; also an actor who plays a principal role

leg
leg
| leɡ |
noun - drapes set as masking pieces at the side of the acting area. Usually set up in pairs across the stage and used in conjunction with borders to frame the audiences' view

libretto
li-bret-to
lə-ˈbre-(ˌ)tō
noun - The text of a work for the musical theater

license
li-scense
| ˈlaɪsns |
noun - permission granted to produce a play or musical secured by paying a royalty to the author and/or licenser; terms of a license govern how the copyrighted work must be presented

lighting designer
light-ing de-sign-er
| ˌlaɪtɪŋ dɪˈzaɪnə |
noun - member of the production team responsible for the overall look of the lighting.

line
line
| laɪn |
noun - a rope or wire used to hang scenery, etc.; a portion of dialogue, usually a sentence, but also a single row in the script

lines
lines
| laɪnz |
noun - scripted dialogue assigned to specific characters.

load in
load-in
| ˈləʊd ɪn |
noun/verb - The process of moving set, props and other hardware into a theatre.

load out
load-out
| ˈləʊd ˈaʊt |
noun; verb - the process of disassembling and removing equipment, scenery, and costumes out of a theatrical space.

load-in
load-in
| ˈləʊd ɪn |
verb; noun - the process of, or time-period for, moving sets, props, etc, into a theatre before a production

lyricist
lyr-i-cist
| ˈlɪrɪsɪst |
noun - member of a creative team responsible for supplying the words to songs.

M

mainstage
main-stage
| mainstage |
noun - the principal performance space for a theatre company or performance venue

manuscript
man-u-script
| ˈmænjʊskrɪpt |
noun - The printed or unprinted text of a dramatic composition. The word "script" is a shortened form of this word, but now refers to the printed text.

marquee
mar-quee
| mɑːˈkiː |
noun - a canopy or roof that projects over a theatre entrance towards the street, usually bearing a sign that advertises the names of the theatre, current production, actors, etc.

masking
mask-ing
| ˈmɑːskɪŋ |
noun - neutral material or designed scenery which defines the performance area and conceals the technical areas

Master of Ceremonies
Ma-ster of Ce-re-mo-nies
| mɑ:stər əv ˈserɪmənɪz |
noun - host; an individual tasked with announcing the various parts of a program

matinee
ma-ti-nee
| ˈmætəˌne |
noun - a musical or dramatic performance or social or public event held in the daytime and especially the afternoon

milliner
mill-i-ner
| ˈmɪlɪnə |
noun - artist who designs and constructs hats or headpieces.

monitor
mon-i-tor
| ˈmɒnɪtə |
noun - an onstage speaker which allows a performer to hear the output of the PA system, or other members of a band; a video display screen

N

naturalism
na-tu-ral-ism
| ˈnætʃrəlɪzəm |
noun - realism; attempting to depict life and society as it is. Usually used to describe a play in its entirety, but also the individual work of a director or actor.

noises off
noi-ses off
| ˈnɔɪzɪz ɒf |
noun - offstage sound effects, such as thunder, breaking glass, a crash, voices, etc.

nonprofessional
non-pro-fes-sion-al
| ˌnɑːnprəˈfeʃənəl |
noun - Said of a theatre or production, as opposed to professional, also known as "amateur" performance.

number
num-ber
| ˈnʌmbə |
noun - a song or dance in a musical production, so called because each musical selection is numbered for the convenience of the orchestra

O

off book
off-book
| ɒf bʊk |
noun; verb - an actor or cast who has memorized their lines; to memorize ones lines to the end of no longer requiring the use of a script to perform

Off-Broadway
Off Broad-way
| ɒf ˈbrɔːdweɪ |
noun - any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100.

offstage
off-stage
| ɒf steɪdʒ |
noun - towards the nearest side of the stage from the center; the area out of sight of the audience

open
o-pen
| ˈəʊpən |
verb - to begin the scheduled performance run of a theatrical event.

operetta
op-er-et-ta
| ˌɒpəˈretə |
noun - A light dramatic entertainment with much singing and little speaking.

orchestra pit
or-ches-tra pit
| ˈɔːkɪstrə pɪt |
noun - a sunken area where instrumentalists sit to play for onstage performers.

P

pace
pace
| peɪs |
noun; verb - the speed at which a dramatic performance, or any part of it, is played

pantomime
pan-to-mime
| ˈpæntəmaɪm |
noun; verb - wordless performance based in expressive movement of the body; a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to classical theatre.

performing edition
per-form-ing e-di-tion
| pəˈfɔːmɪŋ ɪˈdɪʃn̩ |
noun - a published text of a dramatic work, with alterations from the standard text to match the actualities of stage production, often including staging information

pitch
pitch
| pɪtʃ |
noun; verb - the height to which a voice is raised in tone; to raise or lower the voice, not in volume, but according to the musical scale

places
pla-ces
| ˈpleɪsɪz |
noun - a call to the actors to take their positions on, or just off the stage, as needed for the opening curtain

play
play
| ˈpleɪ |
noun - a piece of non-musical theatrical storytelling.

playwright
play-wright
| ˈpleɪraɪt |
noun - a person who writes plays

producer
pro-du-cer
| prəˈdjuːsə |
noun - the person who arranges for the production of a play or musical, especially the financing and management

prop
prop
| prɒp |
noun - a portable object other than furniture or costumes used in a theatrical production.

prop
prop
| prɒp |
noun - Also known as "properties". All items used in a performance which cannot be classified as scenery, technical equipment or wardrobe. Props handled by actors are known as hand props, props which are kept in an actors costume are known as personal props.

R

radio play
ra-di-o play
| ˌreɪdɪəʊ ˈpleɪ |
noun - A play that has been written specifically for an audio-only environment, usually to be broadcast on the radio.

rake
rake
| reɪk |
adjective; noun - the slope of a stage or an auditorium; a raked stage is one that typically slopes upward from downstage to upstage

read for a part
read-for-a-part
| riːd fər ə pɑːt |
verb - in auditions, to read one's lines aloud to a stage director or casting agent.

reading
read-ing
| ˈriːdɪŋ |
noun; verb - A presentation of a new play for or by the author, using scripts, again with no movement or stage business.

rehearse
re-hearse
| rɪˈhɜːs |
verb - to prepare a play for production; in particular, the work with actors to blend lines, characterization, movement and stage business into a coherent whole

repertory
rep-er-tory
| ˈrepətr̩i |
noun - a performing arts organization, usually with a permanent company of actors, where each production has a run of limited length; multiple plays performed on a rotating schedule

revolve
re-volve
| rɪˈzɒlv |
noun - a turntable built into the stage floor on which action takes place and scenery can be set and then driven into view.

rigging
rig-ing
| ˈrɪɡɪŋ |
noun - the ropes, wires, blocks, pulleys, pins, counterweights, and other pieces of equipment needed in the manipulation of scenery and stage drapery

rights
rights
| raɪts |
noun - the author, via the representative or publisher, confers on a theater company the right to produce a staged production as set forth in the contract signed by the producing company.

road show
road-show
| rəʊd ʃəʊ |
noun - a touring production

S

scene
scene
| siːn |
noun - section of a play or musical depicting a different location or different day or time; the location in which a dramatic action is supposed to occur

scenery
sce-ner-y
| ˈsiːnəri |
noun - the elements of a stage setting, especially those made of wood and canvas, or any other material used to construct platforms, flats, walls, doors and backdrops

score
score
ˈskȯr
noun - A musical composition for a theatrical production

scrim
scrim
| skrɪm |
noun - a coarse gauze-like material used as a drop.

sitzprobe
sitz-probe
| sitzprobe |
noun - In opera and musical theatre, a sitzprobe (from the German for seated rehearsal) is a rehearsal where the singers sing with the orchestra, focusing attention on integrating the two groups; the first rehearsal where the orchestra and singers rehearse together

sound designer
sound de-sign-er
| ˈsaʊnd dɪˈzaɪnə |
noun - An artist responsible for all of the sound-related needs of a given production, providing the design for all pre-recorded music, sound effects, and the reinforcement of live voices, musical instruments and sound elements.

stage left
stage-left
| steɪdʒ ˈleft |
noun - the left part of a stage from the viewpoint of one who faces the audience

stage right
stage-right
| steɪdʒ ˈraɪt |
noun - the right part of a stage from the viewpoint of one who faces the audience

stagecraft
stage-craft
| ˈsteɪdʒkrɑːft |
noun - the art of producing or participating in the production of a dramatic piece, especially in the technical area

swing
swing
| swɪŋ |
noun - an off-stage performer responsible for covering any number of ensemble tracks

T

teaser
tea-ser
| ˈtiːzə |
noun - a border, usually black, set behind the proscenium and linked with tormentors to form an inner frame to the stage, and to mask the upper parts of the fly tower

technical rehearsal
tech-ni-cal re-hear-sal
| ˈteknɪkl̩ rɪˈhɜːsl̩ |
noun - the first time the show is rehearsed in the venue, with lighting, scenery and sound

theater
thea-ter
| ˈθiːətər |
noun - a building or area for dramatic performances; a place or sphere of enactment of usually significant events or action

theatre
thea-tre
| ˈθiːətər |
noun - dramatic representation as an art or profession

thespian
thes-pi-an
| ˈθespɪən |
noun - pertaining to acting, or an actor. Derived from the name of Thespis, a Greek tragic poet of the sixth century BC, who is said to have first introduced an actor into dramatic presentations, which until then had been performed only by a chorus with a leader.

thunder sheet
thun-der sheet
| ˈθʌndə ʃiːt |
noun - large suspended steel sheet with handles which produces a thunder-like rumble when shaken or beaten.

tormentor
tor-men-tor
| tɔːˈmentə |
noun - narrow masking flats adjacent and sometimes at right angles to the proscenium arch

transverse
transverse
| ˈtrænzvɜːs |
adj - form of staging where the audience is on either side of the acting area.

trap
trap
| træp |
noun - an opening through the stage floor.

traveler
tra-vel-er
| ˈtrævələ |
noun - a draw curtain that opens and closes from one side only.

U

understudy
un-der-stu-dy
| ˈʌndəstʌdi |
noun - a performer cast in the ensemble of a musical (or minor role in a play) who is responsible for covering a lead and/or supporting role(s)

upstage
up-stage
ˈəp-ˈstāj
adverb - the area toward or at the rear of a theatrical stage

upstage
up-stage
| ˌʌpˈsteɪdʒ |
verb - an actor's seizure of the attention of the audience when they have no right to it.

usher
ush-er
| ˈʌʃər |
noun - one who escorts persons to their seats in a theatrical setting

V

vertical sight lines
ver-ti-cal-sight-lines
| ˈvɜːtɪkl̩ saɪt laɪnz |
noun - imaginary lines drawn to determine what portions of the performing area will be visible to all of the audience.

visual cue
vi-su-al cue
| ˈvɪʒuəl kjuː |
noun - a cue taken by a technician from the action on stage rather than being cued by the stage manager

vomitorium
vom-i-to-ri-um

noun - a passageway, originally for spectators, used to clear the seating area in quick fashion; also used to describe a ramped passage that allows actors to run onstage from below (and run back).

W

wardrobe
war-drobe
| ˈwɔːdrəʊb |
noun - the general name for the costume department, its staff and the accommodation they occupy

wardrobe
war-drobe
| ˈwɔːdrəʊb |
noun - the general name for the costume department, its staff and the space they occupy.

wardrobe plot
war-drobe-plot
| ˈwɔːdrəʊb plɒt |
noun - Actor-by-actor, scene-by-scene inventory of all the costumes in a production, with a detailed breakdown into every separate item in each costume.

wash
wash
| wɒʃ |
noun; verb - Creating or pertaining to an overall illumination over a large area of the stage

wing
wing
| wɪŋ |
noun - the out of view areas to the sides of the acting area; scenery standing where the acting area joins these technical areas.

wings
wings
| wɪŋz |
noun - the out of view areas to the sides of the acting area.

work lights
work-lights
| ˈwɜ:k laɪts |
noun - high wattage lights used in a venue when the stage/auditorium lighting is not on. Used for rehearsals, fit-up, strike, and resetting; low wattage blue lights used to illuminate offstage obstacles.

BWW Exclusive: Konverstation with Keeme and Special Guest Chazz Mendedez
by Konversations with Keeme - May 25, 2020

Fifteen year old Ajibola Tajudeen, better known as Keeme, is the host of New Paradigm Theatre's web series here on BroadwayWorld. 'Konversations with Keeme' is show where Keeme interviews seasoned television and film professionals like Tamara Tunie of Law and Order: Special Victims Unit and Renee Lawless of Tyler Perry's The Have and the Have Nots, as well as Broadway veterans such as Emmy and Grammy winner, Paul Bogaev, and Broadway pros Christine Dwyer, Kelly Grant, Juwan Crawley and more.

BWW Exclusive: Konverstation (Koronacation) with Keeme
by Konversations with Keeme - May 13, 2020

This episode is a revisit with professional Voice over and Radio star, Randye Kaye https://www.randyekaye.com/ to see how she is staying creative during corona. Our online Gala is June 7th, streaming on Facebook at 7pm. Randye will be a guest on that as well.

TV: The Kid Critics Make Picks for What to Watch from Home- Part 3!
by Nicole Rosky - May 09, 2020

Is cabin fever setting in? Has self-quarantine got you down? Are you in need of a stay-at-home distraction? The Kid Critics are here to help!

TV: The Kid Critics Make Picks for What to Watch from Home- Part 2!
by Nicole Rosky - May 02, 2020

Broadway may be dark for a while, but that doesn't mean you can't still enjoy the magic of theatre. In this very special edition of Kid Critics, Tai (13), Isabella (15), and Charles (12) share their selections for family-friendly entertainment that you can watch from your couch. Watch to find out what makes their list and tune in next week for more of their picks.

TV: The Kid Critics Make Picks for What to Watch from Home!
by Nicole Rosky - April 25, 2020

Is cabin fever setting in? Has self-quarantine got you down? Are you in need of a stay-at-home distraction? The Kid Critics are here to help!

Parenting From The Wings: Community Keeps Giving While Broadway is Dark
by Kay Alexandra - March 18, 2020

Thank you. Thank you Laura Benanti for asking high schoolers to send videos of them doing parts of their cancelled shows.

Parenting From The Wings: Celebrating Broadway's Women and Empowering Girls with Honesty
by Kay Alexandra - March 09, 2020

Parenting a girl who wants to make a living on stage requires a balance of moral support and difficult truths.

Parenting From The Wings: Celebrating Broadway's Women and Empowering Girls with Honesty
by Kay Alexandra - March 09, 2020

Parenting a girl who wants to make a living on stage requires a balance of moral support and difficult truths.

TV: The Kid Critics Get Connected at EMOJILAND!
by Nicole Rosky - March 01, 2020

We are continuing the series with Tai (13), Isabella (15), and Charles (12), who recently headed to the Duke on 42nd Street to check out Emojiland. Curious about what they thought about the show? Find out below!

TV Exclusive: Konversations with Keeme: In Rehearsal for SOUTH PACIFIC
by Konversations with Keeme - February 04, 2020

Join us behind the scenes for the first rehearsal of SOUTH PACIFIC: IN concert. Co-produced by the New Paradigm Theatre and the Norwalk Symphony Orchestra. This video features our 'Nellie' - Emily Kristen Morris, 'Ngana' - Helen Hen and Maestro Yates, as well as the ensemble preparing on the first day of rehearsal!

TV Exclusive: Konversations with Keeme: Chatting with Jillian Duffy
by Konversations with Keeme - January 31, 2020

Jillian Duffy is a 22 year old studying Business and Marketing at Southern Connecticut State University. She has competed within the Miss America Organization since the age of eight and has held multiple titles within the organization. Jillian strongly believes in what this organization promotes and has continuously experienced growth within herself throughout her time in the organization. Jillian's social impact statement is entitled a?oeJillian's Journey: Pediatric Cancer Research and Awarenessa??, the voice of a patient and the advocate of a survivor. Jillian's Journey not only raises awareness of the underfunding of pediatric cancer research but also focuses on the journey through cancer treatment and eventual triumph of an individual. As a survivor herself, Jillian shares her story of her battle and eventual victory over cancer to inspire others to face obstacles with a positive mindset and to always chase your dreams.

Parenting From The Wings: No Protective Bubble
by Kay Alexandra - January 24, 2020

There are times when I deserve to be lectured and certainly my parenting is not above reproach. As a matter of fact, if someone decides to list my parenting fails, I'm sure I could name more.

Parenting From The Wings: No Protective Bubble
by Kay Alexandra - January 24, 2020

There are times when I deserve to be lectured and certainly my parenting is not above reproach. As a matter of fact, if someone decides to list my parenting fails, I'm sure I could name more.

TV: The Kid Critics Get Welcomed to the Rock at COME FROM AWAY
by Nicole Rosky - January 17, 2020

We are continuing the series with Tai (13), Isabella (15), and Charles (12), who recently headed to the Schoenfeld Theatre to check out Come From Away. Curious about what they thought about the show? Find out below!

TV Exclusive: Konversations with Keeme: Chatting with Sandra J. Miklave
by Konversations with Keeme - January 17, 2020

Sandra J. Miklave- Executive Director of the Norwalk Symphony Orchestra and worked with Kristin Huffman (Artistic Dir of New Paradigm Theatre) to produce last year's award winning West Side Story. Sandra joined the Norwalk Symphony Orchestra staff in April 2018. She is a leader in the Norwalk community. Sandra was vice president and co-manager of the Loan and Agency Services Group responsible for the bank's syndicated loan portfolio. She earned her B.A. in political science and economics at Manhattanville College and her Master of Organizational Leadership at Quinnipiac University. Sandra lives in Norwalk with her husband, Matt and has three sons.

TV Exclusive: Konversations with Keeme: Chatting with Janet Evelyn
by Konversations with Keeme - January 10, 2020

Janet Evelyn is the Founder and Executive Director of The NICE festival in Norwalk CT. For South Pacific: In Concert, NPT and Norwalk Symphony Orchestra are proud to partner with The Nice Festival. Janet Evelyn, Executive Director, states that a?oeNICE is committed to bringing awareness to the multiplicity of our global cultural heritage. The performing arts have not only been a conduit through which people of different race and culture can share natural commonalities but one of the most efficacious in addressing social injustice worldwide. The song a?oeCarefully Taughta?? from the musical South Pacific reminds us how important it is to expose our children at a young age to the different cultures to encourage understanding of our unique backgrounds.a?? As partnerships between the non-profit and for-profit world continue to form in order to tackle social challenges from all sides, this type of collective impact production has become increasingly relevant and a vital component of a community.

TV Exclusive: Konversations with Keeme: The Auditions
by Konversations with Keeme - January 06, 2020

Parenting from the Wings: Outrage and Online Action- The Lessons and Bond of Young Fans and #savebeetlejuice
by Kay Alexandra - December 17, 2019

When my daughter texted me a link and followed up with an in-person(!) plea for me to sign the #savebeetlejuice petition, I'll admit pride was not the word I was looking for. I mean of all the possible change.org petitions, this is what she brings to me with such passion? No social justice issue or environmental cause?

Parenting from the Wings: Outrage and Online Action- The Lessons and Bond of Young Fans and #savebeetlejuice
by Kay Alexandra - December 17, 2019

TV Exclusive: Konversations with Keeme: Holiday Edition
by Konversations with Keeme - December 12, 2019

See behind the scenes with Keeme and the cast of the NPT Holiday show, 'Have yourself a Jazzy Little Christmas' December 14th (8pm) and December 15th (2pm). Click here for tickets.

TV Exclusive: Konversations with Keeme: Chatting with Allan Lamberti
by Konversations with Keeme - December 06, 2019

Allan Lamberti is the afternoon host on WEBE108 in Bridgeport, Connecticut. Originally from Trumbull, Connecticut, Allan has worked in radio for over 17 years, with previous gigs in Philadelphia and Hartford. If you would like to hear the podcast that they talk about in the episode (with Allan, Keeme and Ms. Clauz) here it is!

2020 Kids' Night on Broadway Tickets Are Now On Sale
by Chloe Rabinowitz - December 05, 2019

The Broadway League has announced that Kids' Night on Broadway® tickets are on sale now at KidsNightonBroadway.com. The event will take place in New York City on Tuesday, February 25, 2020.

TV: The Kid Critics Get in the Holiday Spirit at A CHRISTMAS CAROL
by Nicole Rosky - November 30, 2019

It's not hard to stumble across an excess of reviews for any given Broadway show these days, but there is a group of theatre-goers that is wildly underrepresented when it comes to opinions on Broadway- kids! BroadwayWorld continues KID CRITICS, a series that gives parents and children alike a kid's perspective on Broadway's hottest shows. We are continuing the series with Tai (13), Isabella (15), and Charles (12), who recently headed to the Lyceum Theatre to check out A Christmas Carol. Curious about what they thought about the show?

Bringing Up Broadway: Holiday Gift Ideas for Broadway Hopefuls!
by Jenny Turknett - November 29, 2019

We make holiday shopping easy for your Broadway hopeful. Here you'll find options for a range of ages at a variety of price points.

TV Exclusive: Konversations with Keeme: Chatting with Karl Schultz
by Konversations with Keeme - November 27, 2019

Karl Schultz, jazz piano protege and featured performer in this year's New Paradigm Theatre Holiday show 'Have yourself a Very Jazzy Christmas'. Karl is a Weston High School Freshman who has been playing piano since the age of four. He has performed at a variety of venues. local fundraisers, private events, local theater productions and many more. Karl was an event guest performer at a?oeBeechwooda?? with famed pianist Frederic Chiu, as well as on live radio on WPKN with host Richard Epstein. He's earned top scores in the Western Region musical competition (CMEA), as well as winning medals for Best Soloist and Best Accompaniment at the Music in the Parks competition in Massachusetts. Karl received the top honor award for the arts at WMS for 2018-2019. Karl also performs with the rock band, Caravan-the-Band as well as several other ensembles in Fairfield County.

Bringing Up Broadway: Training the Body and Mind
by Jenny Turknett - November 25, 2019

Tips for taking the often-overlooked path to maximize performance and standout amongst the competition: A holistic approach to theatre training.

Parenting from the Wings: You've Got 30 Seconds
by Kay Alexandra - November 19, 2019

It takes approximately 30 seconds to sing 16 bars of music. This is typically the requested audition cut of a song. If performers are lucky, they get 32, which allows them all of a minute to prove themselves.

TV Exclusive: Konversations with Keeme: Chatting with Ms. Clauz...with a Z
by Konversations with Keeme - November 14, 2019

TV Exclusive: Konversations with Keeme: Chatting with Chris Coogan
by Konversations with Keeme - November 06, 2019

TV: The Kid Critics Go on a Killer Quest at THE LIGHTNING THIEF
by Nicole Rosky - November 02, 2019

We are continuing the series with Tai (13), Isabella (15), and Charles (12), who recently headed to the Longacre Theatre to check out The Lightning Thief. Curious about what they thought about the show? Find out!

TV Exclusive: Konversations with Keeme: Singing with Kristin Chenoweth and Stephen Schwartz!
by Konversations with Keeme - October 30, 2019

Kids' Night on Broadway Set for February 25, 2020
by Julie Musbach - October 29, 2019

The Broadway League announced today that Kids' Night on Broadway will take place on Tuesday, February 25, 2020. Tickets will be available for purchase in December

Parenting from the Wings: Patti Murin and a Boost in a Battle
by Kay Alexandra - October 22, 2019

My friend texted me the Instagram post as soon as she saw it. It was April 2018 and the post showed Broadway's Patti Murin looking confident and in command in a photo of her as Frozen's Anna. The accompanying post talked about missing a performance to deal with her anxiety.

BRINGING UP BROADWAY: The Ultimate Guide to Enrolling in Summer Theatre Intensives
by Jenny Turknett - October 18, 2019

Summer planning starts now for Broadway hopefuls! Explore the ever-expanding program options available for musical theatre students.

TV: The Kid Critics Had Nothing But a Good Time at ROCK OF AGES
by Nicole Rosky - September 22, 2019

We are continuing the series with Tai, Isabella, and Charles, who recently headed to New World Stages to check out Rock of Ages. Curious about what they thought about the show? Find out below!

Parenting from the Wings: The Holding Room is the Hardest Part
by Kay Alexandra - September 17, 2019

Caricatures come alive amid random acts of kindness in the holding room at children's auditions.

BRINGING UP BROADWAY: Finding Your Niche
by Jenny Turknett - September 09, 2019

I still remember where I was when I got the text. I bet you do, too. You know the one, that text from your child who is completely and utterly devastated not to have gotten a coveted part.

BWW Exclusive: Welcome To Parenthood! Meet The Mothers of Come From Away!
by Monroe George - August 29, 2019

It's one of the most physically, mentally, and emotionally demanding jobs. With long hours and little sleep, you're expected to consistently portray a myriad of contrasting roles at the drop of the hat, sometimes with no prior experience or preparation - full out, no marking. All with a contract that offers no out, no sick leave, no vacation time, and no pay. Would you be down for the role?

TV: The Kid Critics Get the Fright of Their Lives at BEETLEJUICE!
by Nicole Rosky - August 16, 2019

headed to the Winter Garden Theatre to check out Beetlejuice. Curious about what they thought about the show? Find out below!

Bringing Up Broadway: Does Your Child Need an Acting Coach?
by Jenny Turknett - August 14, 2019

Your child may not be getting the acting direction you think they are during the context of a show. Acting coach and director Michelle Evans explains why and gives advice for developing essential acting techniques.

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