Cellino v. Barnes is a darkly comedic play following the tumultuous partnership between infamous lawyers Ross Cellino and Steve Barnes, documenting their rise and fall as the top injury attorneys in the country. Through the 90's, 2000's, and 2010's, we witness our pals navigate the ethical ambiguities of the law, grapple with personal demons (and fax machines), and aspire to world domination. They're a couple of bros with big dreams and loose morals, trying to make it in the cut throat world of ambulance chasing.
For one thing, they get a number of laughs out of the various ways to prop a foot on a desk drawer handle for maximum manspreading posture. Yes, even at 75 minutes, this gets a little baggy about two-thirds of the way through. Yes, the creators can’t resist throwing in a splashy closing scene that feels more like an excuse for a few video effects. But for pure silly fun, Cellino v. Barnes hits the mark.
In the end, Cellino V. Barnes is sublimely stupid and a bit brilliant. Relishing in the tabloid elements of the true story, its playwrights spin a yarn that doesn't lean so hard into the real attorneys that an unfamiliar audience might be left in the cold. Committed and kooky, Morris and Weisberg create characters whole cloth that are as hilarious as they are compelling. Combined with a snappy direction, this play's humor hits so fast and hard, it's not just thrilling. It might be exactly the kind of the shock to the system its crooked counselors would drool to litigate over.
2024 | Off-Broadway |
Off-Broadway Premiere Off-Broadway |
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