Broadway’s hit thriller. Now extended through Oct 27.
Following two extended, sold-out downtown engagements, Max Wolf Friedlich’s play Job is now this summer’s “chic, relentless Broadway thriller. Job is extremely effective, often funny, with excellent performances.” – The New York Times
After being placed on leave following a viral incident, Jane would do anything to return to her Big Tech–company job. But as the therapist who needs to authorize it, Loyd suspects her work might be doing more harm than good.
Starring Tony Award® nominee Peter Friedman (Ragtime, “Succession”) and Sydney Lemmon (Tár, “Fear the Walking Dead”), “Job is very provocative, stimulating, and daring—you won’t be bored for a millisecond” (Chicago Tribune). Don’t miss this “electrifying” (Variety), on Broadway through October 27 only.
Though cleverly accomplished, the shift, as Jane turns the tables on Loyd’s supposed probity, makes “Job” feel even more manipulative than other therapy-based psychological thrillers. By comparison, “The Patient,” the FX series starring Steve Carell as a psychiatrist held hostage, seems like a model of earned dramatic tension. The tension of “Job” feels merely gratuitous.
Though superbly acted and unrelentingly tense under Michael Herwitz's direction, that conversation reveals little food for long-term thought beneath its slick veneer. The most interesting theme — one of many that, for better or for worse, make Job feel less like a period piece and right at home in 2024 — revolves around responsibility and action: Jane believes her job as an online content moderator, viewing and destroying disturbing media, is as essential as that of a frontline worker, which she relishes. It forces her to actually sit with the world's evils and do something more meaningful about them than shouting into the void of Twitter (I'm not calling it X) and the like. It gives her power, she says.
2024 | Off-Broadway |
Off-Broadway Return Engagement Off-Broadway |
2024 | Broadway |
Original Broadway Production Broadway |
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